Dear curious one,

AI films,
directed.

I work with AI the way I'd work with a crew, and I'm still the one directing. This is how a film gets made, from the first line of script to the final cut.

Behind the shot

I direct every frame.

Every film starts on paper. I write the script, design the characters and build the worlds. Then I block every shot in 3D before anything gets generated.

01
Script
Story, beats and voice-over. Always written first.
02
Characters
Faces, wardrobe and identity locks, kept consistent shot to shot.
03
Worlds
Locations and sets designed as reference plates.
04
Camera
Every shot blocked in 3D: lens, angle, path and timing.
05
Generate & finish
AI renders the shots; I cut, grade and sound-design the film.

Steps 01 to 03, taken from my 2026 showreel

Nine-panel storyboard for the showreel ending — 01 · Script & storyboardEnding sequence, frame by frame with timings

Character sheet: front, back and close-up of an AI teammate — 02 · Character sheetFront, back and face lock for an AI teammate

Lunar location clean plate — 03 · Location plateClean lunar plate built for a fast lateral run

Step 04: my 3D previz next to the final shot

#01 · Showreel 0:38

Car chase

A city drive built shot by shot: exterior, wheel, driver, passenger, top-down.

3D previz in Blender

Final shot

#02 · Showreel 0:45

I'm DIO

From the moon to the ring to a rotating stage, one continuous camera idea.

3D previz in Blender

Final shot

#03 · Showreel 0:55

The ending

Eye macro, a chair in the city, a pull-back through the house and into the screen.

3D previz in Blender

Final shot

From the lab

More of the process.

Sketches, casting, keyframes and character sheets from projects I've worked on. This is the part people usually don't get to see.

Stills first, then motion

Oatside

I designed the bear and the oat beans first, then built every shot as a still. Only the frames that matched the characters exactly went on to become the final reel.